Hey yo, y'all see what state the game is in when the streets when the streets don't hold the culture of the game. Now

0:07

that the weird Twitter nerds and and the nerds and all of these weird [ __ ] got, you know, mean they

0:13

got their hands on the culture. The street the voice of the streets don't mean as much as it did when we was coming up. It was a lot of cons to that

0:19

as well. You know what I'm saying? I got to say that. But you see what happen when the streets, you know I mean, don't

0:25

control the game no more. It's a lot of [ __ ] [ __ ] [ __ ] going on, man. And a lot of people's okay with it because they're

0:30

[ __ ] [ __ ] man. Holy [ __ ] It's a tribe called Best. Hey, what's up? ItsMeKnowlo, and this

0:36

is a tribe called Best

0:41

on this episode of bitching about I want to [ __ ] about Yes.

0:48

Benny the Butcher. I don't understand

0:53

the angry, vitriolic,

1:00

bitter, old headness that everybody is showing right now.

1:08

I say old headness because he is

1:13

40. I am also 40. I can't call a person old that's the

1:19

same age as myself. Old head is not a

1:25

age thing. A old head is a way of living. Old head is

1:32

your style. Nicki Minaj is an old head. She goes

1:39

around and complains and rants and raves about things that only she understands.

1:46

Nobody in the world knows why Nikki is mad except Nikki.

1:53

Jim Jones. Uh Jim Jones periodically uh pops up. Well, let me not say

1:59

periodically. He's always kind of around. He's always kind of relevant. I actually like Jim Jones. I don't dislike

2:07

him. I like his style. I like his music. It's really cool how in shape he is,

2:13

right? But when they gave him that uh that title, like when they designated him to be the world's oldest YN,

2:23

oldest is not his age. Oldest is his mentality.

2:28

He goes around and does stuff that's very impressive to 19 year olds.

2:34

He has a old head mentality. It has nothing to do with his age.

2:40

Dame dash very very old head mentality.

2:48

Just you're not aware of the fact that you're not it. And when

2:56

people tell you you're not it, you don't understand or accept the fact that

3:02

you're not it. If everyone in the world is wrong, you're the problem.

3:09

Holy [ __ ] It's a tribe called best. So when I'm saying Benny the butcher has

3:19

this old head mentality, he has this old head mentality because

3:25

he keeps conflating two topics. He's mixing up what the

3:33

street is with what the culture is, right?

3:38

And conflating the issues is one of the quickest ways for you to look like an idiot.

3:47

I said in another video and it's becoming a very popular thing to say. I

3:53

agree with it wholeheartedly. I think that it is true. The streets are dead cuz the internet is the new streets. The

4:00

streets moved on to the internet. All the the the the backbiting and

4:05

troublemaking and instigating and crime and hurting people, it's all on the

4:11

internet now. And

4:18

an example of that is the culture. people people keep talking about music

4:24

and hip-hop and the quote unquote culture, but what we keep overlooking is the culture is not necessarily the

4:32

streets. Hip-hop culture is

4:38

by by definition, the way that some people would define it would be the dancing, the graffiti, the the the

4:45

MCing, you know, the DJing, all the elements that make up hip hop.

4:53

Hip hop is a music and a culture with a

4:58

really rich and beautiful heritage. It came out of necessity and it came out of

5:04

struggle and it's this beautiful art form that's

5:10

ever evolving. Right. people started

5:17

uh excuse the arm the uh the the the whole hip-hop thing and uh it gained in

5:25

popularity really fast because it's tight and hip-hop was rooted in this story,

5:33

this narrative, you know, it's the way that we walk, the way that we talk, the way that we dress

5:39

and this is the way that we live. hip-hop culture and and at its onset

5:49

at the advent of hip-hop and and and black people making hip-hop. I think that we may have been one of the only

5:58

uh maybe not the only but at least the first people to make poverty

6:05

cool. People had money. People had things, not

6:10

us. But we lived a certain way in the hood and we popularized the way that we

6:16

lived and it was packaged up and it was sold to the world. It was mainstream.

6:25

People started to discover that hip hop was a way to escape the hood, escape

6:30

poverty. It gained

6:36

popularity. And just like anything else, it gets really popular, it gets stolen, it gets

6:44

commandeered, it gets taken over. So, a lot of people that are rappers and hip-hop artists and dancers and such

6:52

don't own their intellectual property. They sign these devil uh slave record

6:59

deals and they say stuff like you're mine in perpetuity and in all of the

7:06

universes and everything that you do. I'm going to wet my beak. I'm going to have a piece of everything that you do

7:12

forever to the rest of your life. You're mine, boy. That's kind of how it works.

7:18

You're this uh artist that creative and you get fractions of pennies on the

7:24

dollar for your blood, sweat, and tears.

7:29

Hip hop is a burgeoning uh uh thing. It's this cash

7:36

cow. It's big. It's huge. The world loves it. People start talking about what's going

7:43

on, current events, right?

7:48

That's when the plot thickens. That's when it gets really, really good.

7:55

Cuz we getting people cussing. We getting people We getting rappers is

8:00

being watched and investigated by the FBI because of what they saying. People is proud of being black.

8:06

People is fighting the system. People are are are are dressing a way

8:13

that is it represents their demographic. It was

8:19

a point where you could look at a person and be like, "Oh, he from LA. Oh, he he's from he's from uh Philly.

8:26

Oh, he dresses like he's from New York." It was a point where

8:31

it was regional and you you could see that person struggle. You

8:36

could see this particular rapper's struggle in his

8:41

delivery, in his subject matter, in his slang, and the way that that he talked. It was very specific and it was very

8:49

regional. As rap got bolder and bolder and

8:57

people started, you know, it started getting more aggressive, that's when people fell in love with it. That's when

9:03

it got more and more traction when it became its most rebellious.

9:13

So I remember too short told a story and he was saying that when he was coming up it

9:19

was a lot of dudes that were gangsters or or drug dealers and things like that and they were smart. They didn't uh you

9:27

know really want to be rappers. They didn't want to be in the limelight and they didn't want to be like, "Hey, look at

9:33

me. I'm Johnny Drug dealer." They didn't want that. But Too Short will write raps

9:39

and he would talk about the drug dealers or the pimps or whatever. And the drug dealers would say, "Hey,

9:45

I like that. Make a song or make a tape about me." And they would pay too short

9:52

to make these tapes to rap about them. And that was cool.

9:58

So the more that we start rapping about the street life and glorifying the street life, the more popular it

10:05

becomes. If you build it, they will come.

10:11

Rap turned into this commodified thing that was owned by uh

10:19

the these certain people, but it's just this commodified thing that the commodified thing that's now a product.

10:25

You know what I'm saying? It's kind of like not really this beautiful art form that it once was, but it's this uh

10:32

product that is to be packaged and sold in and just bled and just squeezed. You

10:40

know, they want everything out of the art and everything out of the artist that they can get. Okay.

10:48

So they noticed the popularity of the street talk, the killing, the pimping,

10:56

the drug dealing, and they were like, "Hey, get out of here with that hip hop [ __ ] that hood

11:04

[ __ ] that that poverty struggle rap. Get out of here with that. We want you

11:10

to rap about the drugs. Rap about the killing.

11:16

Rap about the degradation of your your your women and your children. Rap about how you poison your

11:23

community. That's all we want you to rap about. That's all we going to pay you to rap about. We not going to pay you that

11:29

handsomely. We'll give you scraps, but that's what we going to pay you to rap about. That's all we want you to rap

11:35

about. So that's all that you're going to rap about. At least if you want to make money.

11:42

So you get people that are the

11:47

Benny the butcher, right? I remember when

11:55

I first discovered Griselda. I remember when I first heard Westside Gun and I

12:00

was like, damn. I was like, this like this goes, this slaps. I like it. This

12:05

is me. I grew up in the golden era of hip-hop.

12:10

So without capping, without without being hyperbolous, without putting no extras

12:17

on it, the golden era of hip hop was full of artists. It was full of

12:22

individualities. It was it was plentiful. the music that I grew up on. And I'm not

12:29

saying, like I said, no hyperbole, stuff that I actually listened to, stuff that

12:35

I consumed. No Limit, Cash Money,

12:42

Defro. Never like Bad Boy, but Biggie. Biggie

12:47

is my favorite rapper. Not Bad Boy. Uh, Biggie. You had Bust Rhymes. You had Flip Mold Squad. You had Wu Tang. You

12:55

had a ball and MJG. You had UGK. You had Outcast.

13:03

You're coming up in a time where every region

13:08

is planting their flag and making music. uh David Banner,

13:16

you're coming up in a re in a time where every region has this representation.

13:26

Everybody is doing something and it's all different. It's all unique, right?

13:33

But it feels like the industry

13:39

reprogrammed the consumer to say, "Stop all this individuality.

13:46

Stop all this diversity. Stop respecting these artists. These

13:51

artists are a product." And they started force-feeding us the

13:57

same rap and the same kind of rappers.

14:03

So, we have the dudes

14:09

that are real street dudes that are real criminals. We We heard the

14:15

story about Benny the Butch. I'm I'm not here to um do all that, but dudes that are really street dudes that really did

14:22

the stuff that they were rapping about and then they're really good rappers.

14:28

But the problem is them conflating the issue.

14:35

I'm a street dude and I rap about being a street dude. So, everybody else has to

14:41

care and love the care for me as a street person and love the fact that I'm a

14:47

street person and they have to respect the street cuz I'm from the street.

14:54

And that couldn't be further from the truth. Nobody gives a [ __ ] about none of that [ __ ]

15:00

The culture and the street are two different things.

15:08

They run closely together. They sometimes overlap.

15:16

But the culture is supposed to be people tapping in enjoying music and the

15:23

streets is the streets. like when they when it was that kind of that that kind of narrative of like if you're not doing

15:29

what you're rapping about, you're fake. You're not keeping it real. If you are doing what you're rapping about, you

15:35

stupid. So the pendulum swung so far from one side to the other where

15:42

people that weren't street dudes and weren't criminals that was just rapping about it

15:49

kind of for the most part phased out if they weren't really good. All of our

15:54

legendary rappers from the golden era are still around. They still persist.

16:01

They're old dudes that still have elite god tier rap skills.

16:08

But there are a lot of dudes that were real and keeping it real and they blew

16:13

it and they went to prison or they got killed because they was real and they

16:19

was keeping it real. You get what I'm trying to say? And

16:26

a guy like Benny the Butcher, who is the picture of authenticity,

16:32

has the audacity to turn around and diss the so-called rap nerds and in

16:40

the so-called weirdos and the so-called [ __ ] [ __ ] and have

16:45

all this hatred and disdain and disgust for these so-called nerds.

16:54

You can't hate these people that much. These people are the people that put you into position.

17:00

There will be no you without the consumer. And the reason I say they put you into

17:07

position because like I said earlier, only people was listening to Griselda

17:12

was me and white people. When I heard Griselda,

17:18

I screamed it to the mountaintop. I told my brothers. I told some friends, you know, um, a lot of people don't really

17:26

care for the the the the the boom bap authentic,

17:31

you know, gutter lowfi, gritty rap. A lot of people just

17:37

don't care. But you know who does? White

17:42

rap nerds. the people that's doing these YouTube videos

17:48

reviewing Griselda albums, breaking it down bar for bar, comparing

17:54

what what body of work was better, this and that and your producers and they hanging on every word that you say

18:02

and they buying the tickets to every show and they buying your merch and they buying the vinyls and they and and they

18:09

buying the Lethos and and whatever you are are are putting down, they

18:16

picking up and you have the audacity to say that I'm a criminal ex crack dealer that's a

18:25

successful rapper. So now I have disdain and hate

18:31

for the people that put me here cuz it was the nerd. You can't hate the nerd. You really can't. You don't have the

18:37

right to. There's this argument

18:44

And I've heard it on the internet. I'm not going to say the guy who said it because I don't care. He's so

18:49

polarizing. He's already too famous. I don't need to say anything that he said. But is this argument something along the

18:56

lines of hey like celebrity um if you don't like

19:02

being a celebrity and it's so difficult and you have all this disdain, go get a nine toive job and stop being a

19:07

celebrity. Go be a regular person. And it's also like, hey, a celebrity

19:12

doesn't owe you gratitude or they don't owe you kindness. And D

19:20

couldn't be further from the truth. A person is famous or a person that's a celebrity.

19:28

They don't owe you their ass to kiss. A lot of times it's like

19:34

a privilege being in this position that you're in because it's people that

19:42

might work as hard as you are harder. I mean it it it's people that don't, but

19:49

it's people that would literally kill to be in your position

19:54

and you blow it. like the uh the thing how everybody talks about Lauren Hill,

20:00

right? How she's showing up an hour late for shows in in little antics, little uh

20:06

you know things that she pulls. And I saw a Toré video about her where he said, "Oh, she's late to these shows

20:13

because she figured it out. She has the cheat code and it's work life balance."

20:18

I think that that couldn't be further from the truth. That's cap.

20:24

Don't show up. no hour late for no show. You're disrespecting the people that put you in position.

20:30

If you're an hour late to the show cuz you didn't want to be there, don't come.

20:37

It's like fool me once.

20:43

You know, you know what I'm saying? But you're you're an hour late for a show. Okay, that's a mistake. It happened one

20:50

time, two, three, four times you late. You don't show up.

20:55

Now you're just playing. These people consume your art and these people pay for your art. These people

21:02

buy tickets and they drive to a venue and they pay for parking and they buy overpriced nasty food and and $16 beers

21:11

and they come and sit down and you're next to people that's musty and and your shoes is stepped on and people's in

21:16

there uh smoking blunts and people breath stank and people is too close to

21:23

you and it's sweaty in there. Then you come late.

21:28

As a celebrity, you don't owe me anything outside of you

21:36

being celebrity. Shut up and dribble. If you're a singer,

21:41

come on time and sing. If you're a rapper, come on time and rap. I paid to be here.

21:50

You don't owe me nothing more than that. Not a picture, not an autograph, not nothing. I shouldn't get to harass you

21:57

in the street. You don't want to be bothered. No means no. But you do owe me a perform. You owe me nothing less than

22:05

shut up and dribble. And that's the thing with people like Butch.

22:13

The street dude has this narrative of everybody is beneath him. The street

22:19

dude looks at everybody as a sucker and a punk and a lame and a square.

22:26

The street dude is analytical. He looks around and he sees the mark. This guy is weaker

22:32

than me. I could victimize him. I could I could [ __ ] him over. I could take from him. Oh, that guy over there is a

22:38

threat. I might have to hurt him before he hurts me. I always got to be on my pivot. What Jay-Z say? I survive reading

22:45

guys like you. It's this street narrative

22:54

that they push that they want everybody to believe. The street dude wants

23:00

everybody to drink the Kool-Aid. Everyone is not from the street.

23:06

Think about say for example you sell millions of records, right? Do you think

23:11

that it's millions of street people buying your records? No. No.

23:17

More than likely, no street people are buying your records. Every show that I went to,

23:24

every concert, every venue, every festival, it's a ocean of white. It's a ocean of

23:31

Caucasians. It's black people there. It be some black people there.

23:37

But your consumer is the the the quote unquote nerd or weird

23:43

black person. It's not a nerd or weird, but it's just a fan that likes you.

23:48

That's willing to spend time and money with you that's willing to spend their

23:54

hard-earned money and put it in your pocket to make you rich

24:01

and you look at them as a nerd. outside of the hip-hop is hip-hop and

24:08

rap is such a black culture and such a black thing and it's so little

24:14

black people that I see at tours and shows and festivals

24:23

and the crowds are oceans of Caucasian people that are lining your

24:29

coffers and you got the audacity

24:36

to say the nerds are in control of the game and have some kind of hate or

24:41

disdain for the nerds in in and they're [ __ ] [ __ ] allegedly

24:47

in your opinion. And I just think that

24:53

your opinion is your opinion. We can't argue opinions. Like I said before, facts are things that are rooted in

25:00

science. Facts are things that could be proven. 5 + 5 is 10. That's a fact. We can't argue a fact. Also, two,

25:09

we can't really argue opinions because if you and I are having an argument,

25:15

the only thing that's going to happen is we going to argue and then we going to part ways and we going to go our

25:20

separate ways hating each other and resenting each other more. When you argue, you're not going to convince

25:25

anybody of your opinion. Everybody on the internet has an opinion. Benny, as we see in the video

25:35

at the top of this pod, has an opinion, but I just think your opinion is wrong

25:41

and stupid. I would This is

25:49

Holy [ __ ] It's a tribe called Best. A tribe called Best.

25:56

If you support a tribe called Best, you are my bestie. I would never ever show this much

26:06

condescension to one of my besties. I would never

26:11

show disrespect or hate or disdain for somebody that clicks the heart or clicks

26:17

the thumbs up or follows or subscribes or puts money in my pocket. And I'm

26:22

trying to do this to get to the point where I could have a tangible product. And when I have a tangible product to

26:29

sell, it's going to be tight as [ __ ] It's going to be lit. I'mma get y'all something real dope. When y'all ask for

26:36

it, when I get enough besties to sell something, I will sell something. But I

26:41

would never have any disrespect or disdain for a person or people that put

26:47

me into position. And you people nowadays, it's so easy to to to to get

26:53

to where you going and get famous that you get there and you disrespect the

26:58

people that put you in position. It's disgusting.

27:04

So, back to like I was saying, the street dude narrative. The street dude narrative is this is the

27:12

code of ethics. This is how we live in the street. This is what we do in the

27:17

street. This is how street people conduct themselves. Hey, I'm going to go outside your house

27:23

and I'mma kick it. Me and the homies. And um we going to drink and we going to

27:28

smoke and we going to talk loud and we going to play music and maybe somebody will get in the street and start doing

27:34

donuts. Maybe some ops will slide. You know, maybe it'll be a little bit of gunplay. Maybe uh like you're a

27:40

taxpaying lawabiding citizen and maybe the ops will slide on us and shoot up

27:45

the block and you'll have to lay on the floor in your house. You'll have to get in the bathtub in your house because the

27:53

place that you pay rent or pay a mortgage might be bullet riddled because we're street dudes and we're going to

27:59

kick it in front of your house and we're going to kick it on the block. We might sell some drugs in front of your house,

28:06

but you better not tell on me. God forbid. You better not tell on me. I'm a street dude. You better not tell on me.

28:15

It's this street narrative that everybody has to abide by the street rules. If you're a civilian and you're

28:22

not a street person, you don't have to abide by the street rules. People is punching a clock and going to work and

28:30

paying taxes so they could telling your [ __ ] ass.

28:36

The street dude pushes this street narrative on to civilians.

28:42

And street dudes do not follow the street code. They generally don't. Like

28:51

I don't know where you're from. Where you from? What they call you? Where you from? Where your mama stay? Let me see your tattoos. where you from.

29:00

Go to where you're from and look around and ask some people. Talk to your uncle.

29:06

It won't be too long before you find a snitch or a rat. Everybody's a snitch because they push the street narrative

29:12

in the street code, but everybody just wants to go home. People want to do the

29:18

crime, but can't do the time. And they sign up to do all this tough guy [ __ ] But when it's time to go to prison,

29:24

people are singing like Beyonce. We seen the first 48, right? Go to

29:32

commercial. You come back. You see them smoking a Newport drinking a Coca-Cola. Whoever snitches first goes home. You

29:42

get arrested. Whoever makes a deal first goes home first. You're scot-free. Throw

29:48

the homies under the bus. You ratt it. That's about as far as a street code goes.

29:55

Turn on a movie. Italian gangster movie.

30:01

Um, real life. Sammy the bull. Tattletail. Um, Mexican mafia. Um, what's his name?

30:10

Uh, boxer Renee Boxer Enriquez killed like 37 people. He was a Tattletail.

30:16

Um, Frank Lucas. Alpo. Tattletales. Everybody's a rat. But the street dude,

30:24

the hard, tough, grizzly, grizzled street gangster enforces his street code

30:30

on to civilians. That's all y'all care about is pushing the rules on to civilians.

30:39

And that's just what it reminds me of. Again, I just think that Benny is another guy that's conflating two issues

30:45

because you were a gangster that sold drugs and went to prison and did this uh

30:53

real crime criminal stuff. Everybody is beneath you and everybody is a square and everybody is a sucker. And now that

30:59

your raps aren't um booming like they were,

31:07

now that you're not who you once were, now you're ranting and raving and

31:13

venting a little bit more. Now the nerds have control of hip hop a little bit more. It's the nerds fault,

31:24

man. Y'all y'all make me sick. Like I swear on everything I love, y'all make me sick because I would never

31:32

treat my besties the way that you see these people treat they following.

31:37

Like, okay,

31:43

you have different schools of people. You got some people that grow up and

31:49

evolve and and mature, right? Not everybody does. is this thing called

31:55

the mirror, right? And a lot of people don't know how to use the mirror. You use the mirror for self uh reflection,

32:02

right? You use the mirror for introspection. You get in the mirror and you go like this.

32:09

You look yourself dead in the eyes. Dead in the eyes. And you find your soul. You look in the

32:16

mirror and see who you are. And you see your morals and you see if you have integrity. That's how the mirror works.

32:22

You ask yourself questions in the mirror. Hey, what's the outcome to this?

32:29

What are the consequences of this crime? If I got caught for doing this crime,

32:36

would I squeal? Would I rat?

32:44

Jay-Z, one of my favorite rappers, sold drugs for 15 years.

32:51

I saw an interview where Warren Buffett said, "Jay-Z is on track to be one of the greatest businessmen of our

32:58

generation." Dame Dash went in the room and screamed at people. Jay-Z Warren Buffett said,

33:06

"Jay-Z is on track to be one of the greatest businessmen of our generation."

33:11

Hey, uh, Benny the Butcher, you and Jay-Z had the same line of work.

33:19

same line of work. But you want to say that the problem

33:26

with the game and the problem with music is that the nerds have control of it.

33:33

There are switches. They're their paradigm shifts. Things change. Maybe people don't want to hear

33:41

the gritty, dirty crack rap at the moment. Or maybe they don't want to hear

33:46

it from you. I can't really like rightfully say, but

33:53

it's just we have people that have grown and have evolved and moved past the

34:02

street image to turn into business mogul. And it's just like apparently you're not

34:08

one of them. I think that if you wanted to say to nerds, you wanted to say the

34:14

crazies have control of the asylum. I think that you should put a bullet on a name, a name on the bullet because

34:22

there are people that are literally responsible for the degradation of this culture. It is people that are

34:30

responsible for collapsing the quote unquote culture.

34:35

If you wanted to talk about the nerds that got control of the game, the crazy people that took control of the asylum,

34:42

let's say academics, let's say let's say Aiden Ross,

34:48

let's say Trap Laura Ross, let's say um what's the what's the dude with the the

34:55

big giant lips? The African fool that's uh he's like a fake academics. He stutters really hard. He's like morbidly

35:02

obese and he stutters.

35:12

Chango um Machanga um

35:18

used to work for Dr. Umar, he's like diet academics.

35:24

Well, anyway, that guy um um Adam22,

35:29

if you wanted to talk about the nerds that are ruining culture and ruining hip hop, there are a bunch of people that

35:37

are actively ruining things. It it's it's a bunch of really bad awful people that makes us

35:45

and makes the culture look bad. Say them. But I'm just really curious as to

35:53

who he was talking about that has the the quote unquote game all

35:59

messed up, you know. Um,

36:04

just just stop pushing I know I'm longwinded. Just stop pushing that street stuff on to people like the Oh,

36:12

excuse me. the issues that he keeps running into with Freddy Gibbs.

36:20

Freddy Gibbs is another person that I don't like because Freddy Gibbs confuses me. I don't like Freddy Gibbs. I don't

36:25

like the way he raps. I don't like his music. I don't like the way he looks. I don't like Freddy Gibbs. I can't I do not like the way that that man raps.

36:33

He keeps getting into um issues with Benny the Butcher. Freddy Gibbs trolls

36:40

people. Freddy Gibbs, I guess he's supposed to be funny, like he's like a wise ass or a prankster,

36:47

but Freddy Gibbs keeps doing these like antics and and and hy jinks and shenanigans and he keeps catching ales.

36:54

Things seem to blow up on him. Everybody that I know likes Freddy. I

36:59

don't. Everybody that I know likes Freddy Gibbs except me. I don't get it. I can't stand I hate the way that he

37:05

raps. Everybody that I know likes him, but it's like, is he a really good rapper

37:15

trying to be a street dude and his street antics keep blowing up in his face, or is he a street dude that's

37:21

really bad at being a street dude, but really good at being a rapper cuz he

37:26

keeps trolling and stuff keeps happening to him. But he's a street dude though.

37:32

He's better than you because you're a dumb stupid nerd square because he's a street dude.

37:40

I just don't get it. There are a lot of things that I don't get. What I don't

37:47

understand can fill a room. I don't get it. But somebody get in the

37:52

comments, fill me in, and let me know who these nerds and squares and weirdos

37:59

and [ __ ] [ __ ] are that are controlling the game. And also let me know

38:08

why the street dudes are just so street

38:13

oriented and it's just so important for them to continue to push this awful

38:19

narrative of like, hey yo, let's celebrate uh poisoning our community and

38:25

degrading our women. Like I was just looking at the video at the top of this podcast like where he was he was pissed

38:32

and he was degrading the nerds and he just had the the the big stupid ugly

38:37

nasty goddy chain on his neck. And that's another thing another aspect

38:44

that I thought would die. I that's another aspect of the street and hiphop and and and the d

38:52

boy that I thought would just like be not a thing anymore. Just like the giant

38:59

20 lb chains, the necklaces. I got a house on my neck. I got my face on my I

39:05

got me on me. Like I just really thought that like that would have been another thing that would have fell by the

39:11

wayside now cuz it's really stupid. But

39:17

the big ugly gigantic goddy overpriced chain that's on your neck, the nerds

39:22

that you hate and disdain got you that chain with their with their concert tickets and buying your merch.

39:32

Y'all stress me out. I'm fired up. Um, I'm blessed. I'm beautiful. Nothing but good things

39:40

come to me. Thanks for letting me bitching about

39:45

Benny the Butch. Holy [ __ ] It's a tribe called Best.